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We’ve teamed up with Klarna to provide flexible payment options, allowing you to shop the way you want. With Klarna, you can split your payment into 3 instalments or choose to pay later, making your shopping experience smoother and more convenient. Your order total must be between £100 and £499 to qualify.
April 27, 2026 | by James
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It is law within the UK that every item of precious metal sold such as Platinum, Gold, Silver is stamped labelling the item with the type of metal it is. Platinum pieces which weigh less than 0.5 grams, 18ct Gold and Palladium pieces weighing less than 1.0 gram and Silver pieces weighing less than 7.78 grams are except from hallmark.
At Diamonds Factory all our products are hallmarked as per UK hallmarking law from London Assay Office (The GoldSmith Company)
The Goldsmiths' Company Assay Office is the oldest assay office in the United Kingdom. It has provided hallmarking services since The Goldsmiths' Company was founded in the 1300s. The company received its royal charter in 1327 and ranks 5th in order of precedence of the 12 Great Livery Companies of the City of London.
Hallmarking dates back to the 1300s when Edward I of England passed a law requiring any item made of silver, which was offered for sale, to be at least of equal quality as that of the coin of the realm (silver currency). The wardens of The Goldsmiths' Company were tasked with visiting workshops in the City of London to assay (test) silver articles. If these articles were found to be below standard they were originally destroyed and the metal forfeited to the King. If they passed, each article received the King's mark of authentication - the mark of a leopard's head. By 1478, there were several hundred workshops and merchants manufacturing silver articles in the City of London. It was not possible for the wardens to visit them all so the merchants were ordered to bring their items to Goldsmiths' Hall for testing and marking and a permanent Assay Office was established in the building. This is the origin of the term hallmark - struck with the King's mark at Goldsmiths' Hall.
In 1544 the Goldsmith's Company adopted the King's mark as their town mark and the mark of the leopard's head is now internationally recognised as the mark of this assay office.
The Goldsmiths's Company Assay Office is still based at Goldsmiths's Hall and remains the oldest company in Britain to be continually trading from the same site. However, it also has two satellite offices; at Greville Street in Hatton Garden in the heart of the London jewellery quarter and within a high security complex near London's Heathrow airport. It now has a new off-site facility within the Dalston-based jewellery manufacturer, Allied Gold. This is the first time in the Assay Office's 700 year history that it has opened permanent hallmarking services on a customer's premises.
In addition to hallmarking, the office has now expanded its range of services to support the jewellery trade and enforcement authorities. It offers a variety of specialist analytical services including nickel, lead & cadmium testing, antique silver dating, non-destructive compositional analysis, plating thickness measurement and a melt and assay service for scrap precious metal carried out in their fully independent on-site laboratory. Other services offered are a jewellery valuation service, laser marking, trading standards assistance, high quality photography and a comprehensive range of training and educational seminars, lectures and specialist events.
Every year, the first Monday in May turns the Met steps into fashion’s most-watched stage. Not just the gowns, though those are extraordinary, but the jewels. The pieces that catch the light at the top of those famous steps. The necklace that makes you pause mid-scroll. The earrings that end up in a thousand mood boards by Tuesday morning. The Met Gala is, in many ways, a jeweler's Super Bowl.
This year’s dress code, “Fashion is Art,” builds on the exhibition’s focus on the body and its representation across art and fashion. Paired with the Costume Institute's exhibition Costume Art, which places garments alongside paintings, sculptures, and artifacts spanning 5,000 years of art history, it gives stylists and jewelers a broad creative framework to work within.
That combination leaves room for interpretation. And if you've been paying attention to the red carpet circuit this awards season, there are already a few signals emerging about what May 4th might look like, stone by stone.
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The Body As Canvas And Jewelry As The Brushstroke
The exhibition's central thesis is that the dressed body is itself an art form. Curator Andrew Bolton has organized the show around body types such as the Classical Body, the Naked Body, and the Mortal Body, treating each as a site where clothing and adornment create meaning.
With the body in focus, jewelry moves into the spotlight. A choker necklace sits at the throat and draws attention. A set of diamond earrings frames the face beautifully. A pendant necklace guides the eye down a bare décolletage in a measured way.
This year, many stylists will likely approach jewelry as part of the overall composition, selecting it alongside the silhouette.
Sculptural Jewelry Is Having Its Moment
A noticeable direction from recent red carpets is the rise of more architectural jewelry. Pieces with clear geometry and defined structure are appearing more frequently, and that direction aligns naturally with this year’s theme.
At the 2026 Oscars, actress Rose Byrne wore an asymmetrical Taffin de Givenchy choker set with a 22.58-carat cognac diamond. The piece stood out not just for the stone, but for its shape and presence.
Similar pieces could appear at the Met Gala 2026. Choker necklaces with a strong structure, collars, torques, and geometric bands in yellow gold or platinum are likely to feature across a number of looks. These designs tend to hold their own alongside more sculptural garments.
Beyoncé And The Case For Statement Diamonds
When a co-chair arrives at the top of the Met steps, attention naturally follows. Beyoncé is returning to the Met Gala for the first time since 2016, and her presence will likely influence the tone of the evening.
Her long-standing collaboration with jeweler Lorraine Schwartz has produced several memorable red carpet moments. Their work together tends to center on statement pieces that photograph clearly and carry detail up close.
Given the theme, it would not be surprising to see high-impact diamond jewelry that balances scale with clarity. Pieces that read from a distance but still hold interest when viewed more closely.
Vintage Jewelry And Its Place On This Year’s Carpet
Vintage jewelry is likely to have a more visible role this year, particularly because the theme draws from art history across different periods. Pieces with archival references can add depth to a look in a way that aligns with that direction.
This does not necessarily mean full vintage styling. A single element, such as a bracelet watch, an antique-cut diamond piece, or a ring with a traditional setting, can introduce that reference point.
When paired with contemporary clothing, these pieces tend to create a balanced contrast. Given the exhibition’s focus, vintage jewelry offers a way to connect present-day styling with a longer design history.
The Pearl Necklace Resurgence With An Edge
Pearls have been returning to the spotlight over the past few seasons, but their styling has shifted. The pearl necklace at the Met Gala 2026 is likely to appear in forms that move beyond the classic strand.
This could include a single baroque pearl set in a structured gold choker, or an asymmetrical arrangement leaning more toward a contemporary direction.
Pearls have appeared throughout art history in a range of contexts, including portraits in which a single piece becomes the focal point. On this carpet, pearl jewelry likely references that history while being styled with a more contemporary perspective.
Ear Climbers And The Case Against Minimalism
Ear climbers are well-suited to a theme like "Fashion is Art." They follow the curve of the ear, creating a line that builds gradually. They work particularly well with sculptural looks where heavier necklaces might not fit the overall balance. In those cases, earrings take on a larger role in shaping how the look is read.
Diamond ear climbers, in both white and yellow gold, are likely to appear in designs that emphasize structure and light. They tend to photograph well and hold their presence from multiple angles.
Gold Jewelry In The Context of Art History
Gold jewelry is expected to stand out this year, especially in warmer tones. The connection to art history is clear, as gold appears across a wide range of cultural and historical objects.
When paired with garments that reference classical or historical forms, gold can add another layer of meaning. It does not need to be overly complex. Even simpler pieces can carry that connection when used with care.
Statement cuffs, layered chains, and solid gold rings could appear as part of looks that draw from historical references.
Gemstone Jewelry And Artistic Interpretation
The theme opens the door to a wide range of artistic influences. Gemstone jewelry offers a way to introduce variation through color and form.
For looks inspired by surrealism, this could mean stones in unexpected settings or combinations that feel slightly unconventional. For others, particularly those referencing Afro-futurist ideas, there may be a focus on bold shapes, warmer metals, and deeper color palettes.
In both cases, the use of gemstones is likely to be intentional, with each piece contributing to the overall composition.
The "Naked Body" And Jewelry As Structure
One of the exhibition’s key ideas is the “Naked Body,” which explores how the human form is presented with minimal intervention. On the red carpet, this often translates to sheer fabrics or simpler silhouettes.
In these cases, jewelry takes on a more defined role. A single pendant necklace, a pair of diamond earrings, or a set of diamond rings can become the primary point of focus. These choices tend to appear understated at first, but they are carefully placed. The balance between the garment and the jewelry becomes more noticeable in these looks.
What This Means Beyond The Red Carpet
One of the more interesting aspects of a theme like this is how easily it translates beyond the event itself. The idea of treating jewelry as part of a broader composition is not limited to the Met steps.
It could be as simple as choosing a choker necklace that complements a dress's neckline, or selecting ear climbers that define a look on their own. Layered gold jewelry with subtle historical references can also bring a different dimension to everyday styling.
The pieces seen at the Met Gala 2026 will be distinctive, but the thinking behind them can be applied more broadly. Looking at jewelry as part of the overall structure of an outfit, rather than as a final addition, offers a more considered approach.